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SADRŽAJ
CONTENT

Nagrade za arhitekturu i arhitektonsko - urbanisticki konkursi u periodu 2008/09.
Awards for Architecture and Architectural and Urban Planning Competitions in the period 2008/09

E2A: Fragmenti stvarnosti e2a (Ekert Ekert Arhitekten), Švajcarska
Fractions of Reality, e2a (Eckert Eckert Architekten), Switzerland

Territorial Agency (Territorial Agency), Švajcarska
Territorial Agency, Switzerland

RE_fokus (Könz Molo Architetti), Švajcarska
Könz Molo architetti, Switzerland

Mladi bečki arhitekti (Young Viennese Architects - YO.V.A.2), Austrija
Young Viennese Architects (Yo.V.A.) II, Austria

Savremena arhitektura u regionu: Arhitektura Rumunije i Bugarske u XXI veku
Contemporary Architecture in the Region: Romania and Bulgaria

Povratak rekama - pokretac života u gradu (Društvo urbanista Beograda)
Riverfront Reclaimed, Charging City Life (Town Planners Association Belgrade)

Izgradnja javnog stambenog prostora posle II Svetskog rata u Italiji - kvartovi INCIS u Rimu: Olimpijsko selo i Decima, Italija
Post WWII Housing in Italy, Italy

Grad Avr, rekonstruisan po ideji Ogista Perea, Francuska
Reconstruction of Le Havre, France

Procesi REstauracije istorijskog nasleđa, Austrija
Atelier Piffl, Austria

Devedeset godina Bauhausa: Knjige na temu Bauhausa u biblioteci Gete Instituta u Beogradu
Ninety years of Bauhaus: Books about Bauhaus in the library of Goethe Institute Belgrade

Beograd - pozlaceni presek: Projekat LEGATIO - valorizacija austrijskog graditeljskog nasleda na teritoriji Beograda, Klub mladih arhitekata (KMA)
Project LEGATIO, Young Architect' Club (KMA), Serbia

Extra - muros: Očaravajuće arhitekture, Zavod za arhitekturu i baštinu grada Pariza, Francuska
Extra Muros, France

RE... Beograd: Stari i novi, studentska radionica Arhitektonskog fakulteta Univerziteta u Beogradu
RE... Beograd: Stari i novi, studentska radionica Arhitektonskog fakulteta Univerziteta u Beogradu

 
 

Nagrade za arhitekturu

Ovogodišnja BINA, četvrta u nizu, u svoj program uvrstila je jednu novu izložbu: „Nagrade za arhitekturu“. Izložba predstavlja osam nagrada različitih institucija dodeljenih u periodu između prošlogodišnje i ovogodišnje Nedelje arhitekture, od juna 2008. do juna 2009. godine.
 - NAGRADA RANKO RADOVIĆ  
 - VELIKA NAGRADA ZA ARHITEKTURU SAS  
 - GODIŠNJA NAGRADA ZA ARHITEKTURU SAS  
 - NAGRADA ZA ARHITEKTURU KOMPANIJE “NOVOSTI”
 - NAGRADA SALONA ARHITEKTURE U BEOGRADU
 - NAGRADA GRADA BEOGRADA
 - NAGRADA IZ FONDA ALEKSANDAR ŠALETIĆ , Majska izložba
 - NAGRADA INŽENJERSKE KOMORE SRBIJE

Arhitektonski i urbanistički konkursi 2008/09.


Prikaz godišnje produkcije arhitektonsko-urbanističkih konkursa, stalna je rubrika BINE. Osnovni cilj izložbe konkursnih radova je afirmacija dragocene institucije konkursa i ukazivanje na neophodnost negovanja konkursne tradicije. Neka primetna konkursna oseka, u periodu između proslogodišnje i ovogodišnje BINE, bude svojevrstan apel Društva arhitekata Beograda nadležnim gradskim institucijama za raspisivanje konkursa. Konkursi su svetski priznata nadmetanja najboljih arhitektonsko-urbanističkih radova za najkvalitetnija rešenja. Ne postoji brži i jasniji način za unapređenje arhitekture i urbanizma neke sredine.

 

Awards for Architecture

This year BINA, fourth in a row, introduced a new  Exhibition in its Programme. The Exhibition, entitled “Awards for Architecture”, presents eight awards  bestowed by different Institutions in the period between last year’s and this year’s BINA, from June of 2008 until June of 2009.
 - RANKO RADOVIĆ AWARD
 - ASSOCIATION OF ARCHITECTS OF SERBIA GRAND PRIX
 - AAS ANNUAL ARCHITECTURE AWARD
 - NOVOSTI COMPANY ARCHITECTURE AWARD
 - BELGRADE ARCHITECTURE SALON AWARD
 - CITY OF BELGRADE AWARD
 - ALEKSANDAR ŠALETIĆ FUND AWARD
 - AWARD OF THE CHAMBER OF ENGINEERS

Architectural and Urban Planning  Competitions 2008/09


One of the constant headings of BINA is review of the yearly production of the architectural and urban planning competitions. The main goal of the exhibition of the competition works is affirmation of the precious institution of competitions and pointing out to the necessity of cherishing its tradition. Let the noticeable low tide of competitions, between this and last year’s BINA, be a special appeal of the Association of Belgrade Architect, to the competent city administration for competition announcement. Competitions are worldwide accepted way of competing between the best architectural and  urban planning works, for the best quality solutions.There is no faster and better way for improving of the architecture and urbanism of a certain envoirment.

 
 

E2A: Fragmenti stvarnosti
Izložba radova biroa E2A Ekert Ekert Arhitekten, Švajcarska

Našim radovima izrazili smo stanje uma koje konceptualizuje arhitekturu i urbanizam kao skladan nesklad, ukazujući na to da nova, moderna mreža povezuje nejednakosti. Izloženo je jedanaest fragmenata protumačenih stvarnostikoji će biti detaljnije obrađeni tokom predavanja.
Braća Pit i Vim Ekert otvorili su svoj biro 1997. u Cirihu, koji je 2001. postao E2A Eckert Eckert Architekten. E2A izrađuje arhitektonske i urbanističke projekte u vidu interdisciplinarnih procesa sa više autora. Konceptualni razvoj je spoj analitičke percepcije konteksta i hipotetičkog, programskog pristupa koji prikazuje jedno tumačenje savremenih uslova. Biro je osvojio prvu nagradu za izradu glavnog projekta za Escher Wyss Areal, najveću industrijsku zonu u Cirihu.

 

E2A: Fractions of Reality
exhibition of the buro E2A Eckert Eckert Architekten, Switzerland

 Through our work we have formulated a mindset to conceptualize architecture and urbanism as a systematic incoherence reflecting that a new modern network interlocks inequalities. 11 fractions of interpreted realities are exhibited and will be further elaborated throughout the lecture.
The brothers Piet and Wim Eckert established their office in 1997 in Zurich and became E2A Eckert Eckert Architekten in 2001. E2A conceives architectural and urban projects as an interdisciplinary process, as a multiple authorship. The conceptual development is a synthesis of an analytic perception of he context and a hypothetical, programmatic approach - outlining an interpretation of the contemporary conditions.  The practice was awarded with the first prize for the Master plan for the Escher Wyss Areal, the largest industrial area in Zurich.

 
 

Teritorijal ejdžensi
Izložba radova biroa Teritorijal ejdžensi, Švajcarska

Territorial Agency postavlja pitanje kako arhitektura može da organizuje koherentan skup širokih teritorijalnih transformacija uz integrisanje postojećih sila i dinamika. Izložba sakuplja materijale iz raznih izvora i oblasti kako bi predstavila niz hitnih pitanja o transformacijama savremenih naseljenih teritorija.
Territorial Agency je samostalna organizacija koja na inovativan način promoviše i radi na projektima održivih teritorijalnih transformacija. Territorial Agency radi na jačanju kapaciteta koji se tiču upravljanja prostornim transformacijama u lokalnim zajednicama, ali i na međunarodnom nivou.Territorial Agency su osnovali Džon Palmezino iEn-Sofi Renskog.

 

Territorial Agency
exhibition of the buro Territorial Agency, Switzerland

Territorial Agency asks how architecture can organise a coherent set of wide-scale territorial transformations, integrating existing forces and dynamics.The exhibition collects materials from a variety of sources and domains to present a series of urgent questions about the transformations of contemporary inhabited territories.
Territorial Agency is an independent organisation that innovatively promotes and works for sustainable territorial transformations. Territorial Agency works to strengthen the capacity of local and international communities in comprehensive spatial transformation management.Territorial Agency is established by John Palmesino and Ann-Sofi Rönnskog.

 
 

RE_fokus
Izložba radova biroa Kenc Molo arhitekti, Švajcarska

Pojedinačne aspiracije u vezi sa teritorijom proširile su se taktom motora sa unutrašnjim sagorevanjem: REpeticija (pojedinačnih objekata, pozicioniranih na podjednakim razdaljinama od svojih osa, stvorila je međuprostore bez značenja: nastanak prigradske periferije jeste univerzalan fenomen. Beskonačna REprodukcija „usamljenih“ zgrada slična je autističnom individualizmu. Naša namera je da popunimo te međuprostore, da stvorimo veze, prostore koje su u dijalogu: koncentrisane REvolucionare protiv ekspanzije. Pokušavamo da se fokusiramo na ono što je tipično. (RE-fokusirajmo se na tipično, i na osobeno.) Želeli bismo da skrenemo pažnju na tri projekta koji predstavljaju tri tipa stanovanja:1_ kuća za bračni par 3_ zgrada za tri porodice 72_ objekat za 72 studenta.

 

RE_focus
exhibition of the buro Könz Molo Architetti, Switzerland

Individual aspirations for the territory have expanded at the rhythm of an internal combustion engine: the repetition (RE-petition) of single objects, positioned at legal distances from their property lines has produced interstitial spaces devoid of meaning: the invention of the suburban periphery is a universal phenomenon. The reproduction (RE-production) ad infinitum of free standing houses is akin to autistic individualism.Our intention is to fill these interstitial spaces, to create relationships, spaces with dialogue: concentration rebels (RE_bell) against expansion.  Searching for a difference, for a particularity and for the potential of any place, we look for densification. We try to focus on the typical.  (RE_focus the typical, peculiar). We would like to present three projects which represent three residential typologies:1_  a house for a single couple,3_  a building for three families,72_ a building for 72 students.

 
 

Mladi bečki arhitekti (YO.V.A.2), Austrija
organizator: Magistrat glavnog grada Beča
koncept izložbe: Mihael Dim

Izložba YO.V.A.2 (na nemačkom i engleskom jeziku) treba da posluži kao platforma za predstavljanje inovativnih kreacija, ideja i koncepata mladih arhitekata. Od mnoštva kandidatura izabrano je dvanaest arhitektonskih timova: SUE ARCHITEKTEN, SOLID architecture, nonconform architektur vor ort, t-hoch-n ARCHITEKTUR, Veit Aschenbrenner Architekten, gharkhanzadeh sandbichler architekten zt gmbh, polar, HEIN-TROY Architekten, kiskan kaufmann, CHRISTOPH KARL + ANDREAS BREMHORST Architekten, HOLODECK architects i x architekten.Pre izbora ovi timovi su se međusobno samo površno poznavali, pa su pripreme za izložbu iskoristili za stručnu diskusiju i umrežavanje. Kao konkretan proizvod nastao je zajednički panoramski kolaž sa arhitektonskim intervencijama iz priloga svih timova o aktuelnim pitanjima iz oblasti arhitekture i urbanizma.

 

Young Viennese Architect (YO.V.A.2), Austrija
organized by: Stadtentwicklung Wien
exhibition concept: Michael Diem

Exhibition YO.V.A.2 (in German and in English) is supposed to serve as platform for the presentation of innovative creations, ideas and concepts of young architects. In a wide and open search for the participants, the Project found individuals, and groups, who are part of the young, urban and lively Viennese architectural activities. From the multitude of entries, twelve architectonic teams were chosen for the Project: SUE ARCHITEKTEN, SOLID architecture, nonconform architektur vor ort, t-hoch-n ARCHITEKTUR, Veit Aschenbrenner Architekten,gharkhanzadeh sandbichler architekten zt gmbh, polar, HEIN-TROY Architekten, kiskan kaufmann, CHRISTOPH KARL + ANDREAS BREMHORST Architekten, HOLODECK architects and x architekten.Before the selection, these teams knew each other just vaguely, so they used the preparations for the exhibition for a professional discussion and networking. As the concrete product of this discussion, a joint panoramic collage was incepted with architectural interventions from all the teams that reference current issues in the area of architecture and urbanism.

 
 

Savremena arhitektura u regionu: Arhitektura Rumunije i Bugarske u XXI veku po izboru časopisa Architectura / Bukurešt I Abitare / Sofija
koordinator: Ivan Kucina
kuratori: Konstantin Goađea (Rumunija) i Peter  Torniov (Bugarska)

Izložba Arhitektura Rumunije i Bugarske u XXI veku predstavlja drugi nastavak u seriji izložbi posvećenih savremenoj arhitekturi Balkana. Kao i prethodna – Arhitektura Slovenije, Hrvatske i Srbije – i ova izložba je organizovana tako što su odabrani kuratori, istaknuti mladi arhitekti, iz sredina  čija se arhitektura predstavlja. Namera organizatora izložbe jeste da se prikažu radovi koji su realizovani posle 2000. godine i projekti koji tek treba da se realizuju. Izabrani radovi ne predstavljaju opšte stanje već, prema mišljenju kuratora, najnapredniji i najkvalitetniji deo arhitektonske produkcije. Značaj ove izložbe i onih koje će biti prikazane u okviru Beogradske internacionalne nedelje arhitekture jeste u tome što one pružaju mogućnost poređenja i povezivanja iskustava arhitekata iz država Balkana koji, iako teritorijalno i kulturno bliski, nisu imali mnogo prilika da  razmene saznanja.

 

Contemporary architecture in the region: Architecture of Romania and Bulgaria in 21st Century according to magazines Architectura / Bucarest and Abitare / Sofia
koordinator: Ivan Kucina
curators: Constantin Goagea (Romania) and Peter Torniov (Bulgaria)

The Exhibition about architecture of Romania and Bulgaria in 21st century represents the second continuation in the series of exhibitions dedicated to the contemporary architecture of the Balkans. The intention of the exhibition organizers is to show the works realized after the year 2000 and projects that are yet to be realized. The chosen works do not represent the overall situation, but, according to curators’ opinions, the most advanced and quality portion of the architectural production. The importance of this Exhibition and the future ones, which will be presented within Belgrade International Architecture Week, lies in the fact that these exhibitions offer the possibility of comparing and linking the experiences of architects who come from the Balkan states, who did not have many opportunities to exchange their knowledge, even though they are territorially and culturally close.

 
 

POVRATAK REKAMA – Pokretač života u gradu
koncept izložbe: Ružica Bogdanović

Izložba prikazuje postojeće stanje Savskog amfiteatra, Starog sajmišta i Dunavskog amfiteatra, zatim pregled projekata: Analiza Savskog amfiteatra, Izložba Starosajmište kao nukleus Novog Beograda, izabrani radovi projekta Ada Huja (autori: Dragana Bazik i saradnici, Predrag Milošević i saradnici, Vladan Đokića i saradnici) i projekat revitalizacije Kule Nebojše (autori: Dejan Miljković, Branko Pavić, Jovan Mitrović).

 

RIVERFRONT RECLAIMED – Charging City Life
exhibition concept: Ružica Bogdanović

The exhibition of the Town Planners Association of Belgrade within the Belgrade International Architecture Week 2009 shows the projects which in the previous two years have promoted the theme of the “city descent” to the rivers, The exhibition shows the existing state of the Sava’s amphitheatre, Old Fairgrounds and the Danube amphitheatre, the review of the project: Analysis of the Sava’s amphitheatre; Exhibition Old Fairgrounds as the nucleus of the New Belgrade; chosen works from the project Ada Huja (authors: Dragana Bazik and associates, Predrag Milosevic and associates, Vladan Djokic and associates) and the project of revitalisation of the Nebojsa Tower (authors: Dejan Miljkovic, Branko Pavic and Jovan Mitrovic).

 
 

Posleratno socijalno stanovanje u Italiji.
Naselja INCIS-a u Rimu: Villaggio Olimpico i Decima

kurator: Alesandra Čeroti
koordinatori: Roberta Đentile i Paola Gvidulji

Izgradnja Olimpijskog sela i Dečime jedan su od najvećih  projekata Nacionalnog instituta za stanove državnih službenika (INCIS),  čija je uloga bila da civilnim i vojnim državnim službenicima obezbedi rezidencijalne javne stanove pod povoljnim uslovima.  Između 1958. i 1965. grupa talentovanih arhitekata (Vitorio Kafjero, Injacio Gvidi, Adalberto Libera, Ugo Lučikenti, Vinčenco Monako i Luiđi Moreti) realizovali su dva rezidencijalna kompleksa po narudžbini državne ustanove, na severu i na jugu Rima. Dakle, kvart Dečima, kojem je bilo namenjeno centralno mesto između Eura i budućih stambenih kompleksa koji će nići na jugoistoku Rima, treba posmatrati i razumeti u odnosu sa njegovim “blizancem”, kvartom Olimpijsko selo, napravljenim za atletičare Olimpijskih igara 1960. u Rimu koji je kasnije, dodeljen državnim službenicima. Pored  karakteristične tipologije i sličnog uređenja, Olimpijsko selo je smešteno na liniji Olimpika koja će, po projektu produženja, predstavljati ulicu sa centralnom funkcijom unutar četvrti Dečima. Projektanti su postavili cilj da „izgrade četvrt živih, organskih, nepravilnih formi, koje izazivaju izvesnu radost, čak i ponavljanjem planimetrijskih tipova”.Dva kompleksa čine niz linijski poređanih zgrada, krstastog preseka sa dvorištem, podignutih na pilotise, povezanih ulicama i uronjenih u zelenilo. Naročito prisustvo prizemlja izdignutog na pilotise, čime se izbegava nepovoljan položaj stanova, garantuje ujednačenpregled i dopušta osećaj veće otvorenosti i daha na čitavu kompoziciju. Struktura zgrada je u armiranom betonu, dok je zid od opeke u dvema bojama, pucolana crvene i rimske žute. Ujednačenost urbanističkog karaktera i arhitektonskog kvaliteta koja izbija iz umerenog odnosa između prirodnih i izgrađenih elemenata, od velikog je značaja za rezidencijalne i formalne aspekte. Što se tiče gradskog dizajna, iako postoji kontinuitet u namerama, u Dečimi se primećuje veća zrelost i dovršenost u globalnom izrazu. U svakom slučaju, dve četvrti rađaju se povezane u jednoobraznoj viziji razvoja grada: očigledan je,u oba slučaja,odnos sa savremenim severnoevropskim iskustvom u vezi sa socijalnim aspektima „susedstva”, zatim podela pešačkih i saobraćajno prohodnih prelaza različitim nivoima, kao i projektantski izgled zelenila  koje se posmatra kao vezivni prostor. 

 

Post-WWII Social Housing in Italy. INCIS estates: Villaggio Olimpico and Decima
curator: Alessandra Cerroti
coordinators: Roberta Gentile and Paola Guidugli

Development of the estates Villaggio Olimpico (Olympic Village) and Decima, is one of the hugest projects undertaken by The National Institute for the Houses ofthe State Employees (INCIS), whose role was to provide the residential public apartments for the civil and military employees, under the favourable conditions. Between 1958 and 1965, a group of talented architects (Vittorio  Cafiero, Ignazio Guidi, Adalberto Libera, Ugo Luccichenti, Vincenzo Monaco and Luigi Moretti) have realized two residential complexes, ordered by this governmental institution, on the north and south of Rome. Therefore, Decima estate, which was planned for the central part between EUR and future residential complexes, built on the south-east of Rome, should be observed and comprehend in the relation to his “twin-brother”, Villaggio Olimpico estate, developed for the athletics who participated in the Olympic games held in Rome in 1960, and later distributed to the government employees. Besides the specific typology and the similar structure, Villaggio Olimpico is settled on the line of via Olimpica which became the street with the central function within the estate Decima, after the completion of the design for the extension.The designers posed the goal to “build the quarter of lively, irregular forms, which can provoke certain delight, even with repetition of the planimetry types”. The two complexes are formed by the line of the buildings, cross-section like with the yard, raised on pilotis, connected with streets and surrounded with greenery. Specially, the presence of the ground floor elevated on pilotis, by which the unpleasant position of apartments is avoided, the unified view is guaranteed and the feeling of the greater openness and the view to the whole composition is allowed. Structure of the buildings is made of reinforced concrete, while the wall is made of brick in two colours – red puzzolane and roman yellow. The unification of the urban character and architectural quality, which emerges from the moderate relationship between natural and built elements, is very important for residential and formal aspects. As far as the city design is concerned, although there is continuity in intentions, the greater maturity and the global expression is shown in Decima. In any case, the two estates were born from the unique vision of the city development: in both cases, the relationship with the contemporary north-European experience with social aspects of “neighbourhood” is obvious, together with the division between the pedestrian and car-accessible approaches to different levels, as well as the design of the greenery seen as the connective space. 

 
 

Grad Avr, obnovljen po ideji Ogista Perea
kustos: Žozef Abram

Izložba prikazuje obnovljeni centar grada Avra koji se od 15. jula 2005. nalazi na Uneskovom spisku svetske baštine.Predstavljen je savremeni identitet ovog grada, njegova vekovna veza lukom i morem kao i aktuelna dinamika njegovog razvoja.Veliki deo izložbe odnosi se na arhitektonsku i gradsku baštinu izuzetne vrednosti. Obnova grada najveće je arhitektonsko delo Ogista Perea i škole strukturalnog klasicizma. Nekoliko panoa posvećeno je savremenom Avru, aktivnostima luke i velikim ekonomskim i urbanim projektima. Izložba je dopunjena 40-minutnim filmom o izgradnji Avra (na francuskom). Većim delom je posvećen arhivskim snimcima i razvoju savremenog grada, a predstavljeno je i mišljenje lokalnih čelnika.

 

Le Havre, the City reconstructed upon the idea of August Peret
curator: Joseph Abram

This exhibition shows the renewed centre of the city of Le Havre, which, since 15th July 2005.has been added to UNESCO’s list of the world cultural heritage sites. It shows the contemporary identity of this city, its century-old relationship with the port and the sea, as well as the current dynamics of its development. A large portion of the exhibition relates to the architectural and city heritage of extraordinary value. The restoration of the City is the greatest work of August Peret and the School of Structural Classicism. A few panels are dedicated to contemporary Havre, its port activities and huge economic and urban projects. These big horizontal panels are in harmony with their content: they show old plans, marines, urban landscapes, public spaces, buildings, etc. The exhibition is complemented with a 40 minute film about the construction of Havre (in French). Its greater part is dedicated to the archive recordings and the development of the contemporary city, as well as to the opinions of the local chiefs.

 
 

Procesi REstauracije istorijskog nasleđa, Austrija
organizacija: TRANSEO

Na izložbi će biti prikazano nekoliko projekata restauracije koje su ostvarili članovi organizacije TRANSEO (Transnacionalna razmena pri primenjenoj konzervaciji spomenika). Osim fotografija projekata, posetioci će moći  da vide i stvarne primerke konzervacije i restauracije. Nakon utemeljenja organizacije različitih disciplina restauracije u arhitekturi, na domaćim i stranim univerzitetima i školama, više od dvadeset pet godina bavimo se zaštitom, brigom i očuvanjem istorijskog blaga. Savršeni tretman istorijskog materijala i veliko znanje o modernim umetničko--tehnološkim metodama garantuju profesionalni tretman svakog objekta. Naše stalno učešće na predavanjima i kursevima nije samo stvar našeg usmerenja već, pre svega, preduslov za ispunjenje sve većih potreba restauracije.

 

REstoration processes of historic treasures, Austria
organization: TRANSEO

This exhibition will show several restoration projects made by members of Organisation TRANSEO (Transnational exchange in applied monument conservation). These projects will be shown mainly by photographs, but the public will be also able to see some real samples of conservation and restoration. After a funded formation in different disciplines of restoration and architecture in domestic and foreign universities and schools, we apply ourselves since more than 25 years to the protection, the care and the maintenance of historic treasures. The perfect treatment of historic material and the profound knowledge about modern art-technological methods guarantee the professional treatment of every object. Our constant participation on lectures and courses is not only a matter of course for us but also a pre-condition to fulfil the ever-growing needs of restoration.

 
 

Devedeset godina Bauhausa:
Knjige o Bauhausu u biblioteci Gete instituta Beograd


Osnivanje Bauhausa bilo je usko povezano s osnivanjem Vajmarske Republike. Za nekoliko godina koliko je postojao, od 1919. do 1933. godine, postao je najuticajnija škola dizajna dvadesetog veka. Raznoliki svet oblika kojim Bauhaus pleni − do današnjeg dana ostavio je svoj pečat u našoj svakodnevici, u umetnosti, dizajnu i arhitekturi. Jubilej Bauhausa biće proslavljen nizom upečatljivih izložbi I manifestacija u Nemačkoj, pre svega u mestima poznatim po ovoj školi, kao što su  Vajmar, Jena, Erfurt, Desau i Berlin, ali i u drugim gradovima. Izlog sa knjigama o Bauhausu predstavlja doprinos biblioteke Gete instituta IV beogradskoj nedelji arhitekture.

 

Ninety years of Bauhaus:
Books about Bauhaus in the library of Goethe Institute Belgrade


The foundation of Bauhaus is closely connected to the foundation of the Weimar Republic. In afew years of its existence, from 1919 until 1933, it became the most influential design school of the 20th century. The Diversity of shapes characteristic to Bauhaus, have left their mark in the contemporary everyday life, in art, design and architecture, up to this day. The jubilee of Bauhaus will be celebrated with an array of striking exhibitions and manifestations in Germany, above all at locations renowned by this school, like Weimar, Jena, Erfurt, Dessau and Berlin, but at others, as well.Contribution of the Goethe Institute Belgrade to the Fourth Belgrade International Architecture Week is a window containing books about Bauhaus.

 
 

Beograd - pozlaćeni presek: Valorizacija austrijskog graditeljskog nasleđa na teritoriji Beograda
organizator: Klub mladih arhitekata (KMA)
kurator: Jelica Jovanović

Beograd je grad kompleksne i slojevite prošlosti, koja se samo delimično može pročitati iz njegove postojeće fizičke strukture. Među mnogim graditeljskim poduhvatima koji su realizovani na teritoriji današnjeg Beograda izdvaja se rekonstrukcija grada koju su sproveli Austrijanci. Austrijsko nasleđe u Beogradu i u Srbiji ima izvanredan potencijal za kulturno umrežavanje sa zemljama u širem okruženju, ali ono nije u potpunosti revitalizovano u našoj zemlji. Ideja projekta LEGATIO jeste da istraži različite mogućnosti prezentacije ovog nasleđa, a ono što je pred publikom predstavlja samo naš početni korak. Izložba predstavlja segmente materijala do kojeg je, radom na arhivskoj i bibliografskoj građi i radom na terenu, došao tim studenata tokom istraživačke faze projekta LEGATIO. Materijal je obrađen I prezentovan raznovrsnim interaktivnim programima u Knez Mihailovoj ulici i na Arhitektonskom fakultetu Univerziteta u Beogradu, s ciljem da se uspostavi dijalog sa širim krugom posetilaca izložbe – „korisnicima” arhitekture.

LEGATIO je samostalni projekat u okviru Kluba mladih arhitekata koji se bavi proučavanjem i zaštitom prirodnog i kulturnog nasleđa na teritoriji Srbije i u regionu. Učesnici projekta dobijaju priliku da se, radeći na valorizaciji i revitalizaciji graditeljskog nasleđa, susretnu sa specifičnostima rada u oblasti očuvanja kulturne baštine. Ideja je da se formira savremeni, održivi model revitalizacije graditeljskog nasleđa, koji podrazumeva međusobnu saradnju i participaciju svih aktera i njihovo angažovanje u realizaciji pojedinačnih etapa projekta.

 

Belgrade – the Gilded Ratio:Valorisation of Austrian Building Heritage on the Territory of Belgrade
organisation: Young Architects’ Club (KMA)
curator: Jelica Jovanović

Belgrade is a city of complex and layered past that can only partially be read from its existing physical layout. Among the many building endeavours that have been realised on the territory of present-day Belgrade, what stands out is the reconstruction of the city done by the Austrians. The Austrian heritage in Belgrade and in Serbia has an outstanding potential for cultural networking with countries in our wider surroundings, but it still is not fully revitalised in our country. The idea of the project LEGATIO is to research the various possibilities of presentation of this heritage, and what now stands before the audience is just our opening step. The Exhibition unveils segments of material that a team of students, during the research phase of project LEGATIO, uncovered by working on the archival and bibliographical sources, as well as by working in the field. The material was processed and presented in a variety of interactive programs in Knez Mihajlova Street and at University of Belgrade Faculty of Architecture, with an aim to establish a dialogue with a wide circle of Exhibition’s visitors – the “users” of architecture.

 
 

Extra-mûros – Očaravajuće arhitekture, Francuska
Zavod za arhitekturu i baštinu grada Pariza, Francuska

Izložba je koncipirana i ostvarena na osnovu fotografskog i kritičkog inventara savremene arhitekture u okviru Zavoda za arhitekturu i baštinu / Instituta za arhitekturu,  u saradnji sa Francuskim institutom iz Diseldorfa. Tema i koncepcija izložbe jeste pitanje savremene arhitekture. Ne može se reći da je savremena arhitektura, od pedesetih godina prošlog veka očarala, pa čak ni da je zainteresovala, širu javnost. Međutim, iza opšte osrednjosti kriju se mnoga pažljivo osmišljena, maštovita i često poetska ostvarenja. Dovoljno je pogledati oko sebe. Kako, u ovim uslovima, ohrabriti stvaraoce? Drugim rečima, potrebno je ponovo zainteresovati ljude za savremenu arhitekturu, zagolicati njihovu maštu i produbiti znatiželju tako što ćemo im pokazati koliko je ova arhitektura zanimljiva, začuđujuća i privlačna. Time ćemo izazvati njihovu želju da otkriju motive, da prošire vidike i stvore mišljenje o savremenoj arhitekturi.Predstavljajući samo arhitekture sposobne da očaraju stvarnost, izložba Extra-mûros nudi mogućnost da se oni koji su oduvek smatrali da je savremena arhitektura nepodnošljiva zainteresuju za nju. Ova izložba ih tera da promene ugao gledanja, da zaborave predrasude, jer govori o avanturi, inventivnosti i kreativnosti i, samim tim, neprimetno utiče na posetioce da ne posmatraju arhitekturu samo kao zatvoreni svet ili rezervisani posed. Zahvaljujući efektu kritične mase, serija od četrdeset projekata objašnjava nam da takozvana dobra arhitektura i nije toliko retka kao što se čini na prvi pogled, a ako je ne vidimo to je zato što nije tu gde je očekujemo i zato što je jednostavnija i skromnija ili samo manje zabrinuta za svoju besmrtnost nego što zamišljamo.Ova izložba je s velikim uspehom predstavljala Francusku 2007. na prvom Međunarodnom trijenalu arhitekture u Lisabonu.

 

Extra-mûros – Architectures of Delight, France
City of Architecture and Patrimony of Paris, France


This Exhibition was devised and realised on the basis of photographic and critique inventory of contemporary architecture within the Bureau for architecture and heritage / Institute of Architecture, in close cooperation with the French Institute in Düsseldorf.The theme and the concept of this Exhibition deals with the issue of contemporary architecture. Since the 1950s, one cannot assume that contemporary architecture has enchanted, not even interested wider public. The general consideration is that each newly built edifice disfigures the ambience around it even further, or worse, that it participates in the destroying the balance of the planet itself. However, behind the general mediocrity hide many carefully devised, imaginative and often poetic works. One look around you is enough. In such circumstances, how can one encourage designers in their creativity? The past is truly not ideal, but the fact that modern times are sometimes wrongly interpreted does not mean they should be loathed. In other words, what needs to bedone is to rekindle the people’s interest in contemporary architecture and with that in mind deepen their curiosity, tickle their imagination and arouse their desire for it by showing how this architecture can be interesting, enchanting, attractive, and with this cause a wish to haveits motives unveiled, to cause the horizons to expand anda new kind of thinking be created. By its presentation of only architectures that are capable of enchanting the reality around them, Extra-muros exhibition offers a possibility to those who have always thought that contemporary architecture is unbearable to become interested in it. This exhibition forces them to change their perspective, to forget the prejudices, because it speaks of adventure, inventiveness and creativity and by this it seamlessly influences the visitors not to look at architecture either as a closed world, or a dominion reserved. Owing to the effect of critical mass, a series of 40 designs explains to us that so-called ‘good architecture’ is not so rare as it may seem upon first glance, and if we do not see it, it is because it is not located where we expect it and because it is simpler andmore modest, or maybe just less concerned about its immortality, than we imagine.This Exhibition represented France with great success at the first International Architecture Triennial in Lisbon in 2007.

 
 

Re... Beograd: stari i novi
Izložba radova sa studentske radionice Arhitektonskog fakulteta Univerziteta u Beogradu

Autori: Bojana Čitaković, Ivana Ibraimov, Ivka Marković, Jelena Grdić, Marija Golubović, Marina Marmelić, Milica Vučković i Tamara Miljanić

Podsticaj za pokretanje aktivnosti u okviru Projektantske radionice je želja da se u okviru BINA 09 predstavi studentsko istraživanje i doživljaj istorijskog razvoja, sadašnje situacije i mogućnosti buduće REafirmacije, REvitalizacije, REgeneracije, REkonstrukcije... bazičnih poteza ukupnog, istorijskog i modernog, graditeljskog nasleđa Beograda. Izložba predstavlja rezultat istraživačkog procesa i saznanja do kojih su studenti, učesnici radnog tima, došli tokom svog rada. Prikazani reprezentatitvni potezi starog  Beograda (duž ose Slavija – Cvetni trg – Terazije – Rajićeva ulica), kao i dva reprezentativna pravca Novog Beograda (prvi duž ose Savski most – Staro Sajmište – SIV – Opština Novi Beograd –  Fontana i drugi duž ose SIV – Železnička stanica) izabrani su kao dominantne urbane akse jasnog i jedinstvenog identiteta. Ispitane su sa različitih aspekata: istorijskog, političkog, društvenog, socijalnog, kulturnog… Razmatrani su značenje i identitet javnih i privatnih građevina i prostora duž njih, kroz praćenje različitih ideja i realizacija, predlaganih zahvata i ostvarenih transformacija, analizu predlaganih formi i sadržaja u GUP i drugim planovima. Cilj prezentacije ovog značajnog urbanog i arhitektonskog nasleđa jeste da se javnost podstakne na razmišljanje o njemu kao o jedinstvenoj i specifičnoj vrednosti, bazičnom graditeljskom i kulturnom nasleđu, osnovnom utemeljenju identiteta i autentičnosti grada, kao i o neophodnosti njihovog očuvanja i uključivanju u sadašnje i buduće planove transformacije Beograda.

Izložba RE... Beograd: stari i novi nastala je kao proizvod rada studenata Arhitektonskog fakulteta Univerziteta u Beogradu, u okviru nastave na predmetu Projektantska radionica, na prvoj godini diplomskih akademskih master studija, u saradnji sa BINA 09 i Urbanističkim zavodom Beograda.  Mentori radionice su: doc. dr Mirjana Roter-Blagojević, dr Tanja Damljanović-Conley, mr Marta Vukotić-Lazar i asist. arh. Marko Nikolić.

 

Re... Belgrade: Old and New
Exhibition of student works from the Design workshop,Faculty of Architecture University in Belgrade

Authors: Bojana Čitaković, Ivana Ibraimov, Ivka Marković, Jelena Grdić, Marija Golubović, Marina Marmelić, Milica Vučković and Tamara Miljanić

Exhibition RE... Belgrade: old and new was incepted as a product of students of the University of Belgrade Faculty of Architecture, within the framework of the of the course entitled Design Workshop, at the first year of academic master studies, in cooperation with BINA 09 and the Institute of Town Planners Belgrade.  The Mentors of the Workshop are: assistant professor Mirjana Roter-Blagojević, PhD, Tanja Conley, PhD, Marta Vukotić-Lazar, MA, and teaching assistant, architect Marko Nikolić. Incentive for the start of activities within the Design Workshop was the desire to present, within the framework of BINA 09, a students’ research and experience of historical development, current situation and possibilities for future REaffirmation, REvitalisation, REgeneration, REconstruction… of basic outlines of the overall, historical and modern, building heritage of Belgrade. The Exhibition is a result of a research process and knowledge that the students, participants of the work team, acquired in the course of their work. The shown representative stretches of old Belgrade (along the axis of Slavija Square – Flower Square – Terazije street – Rajićeva street), as well as two representative runs of Novi Beograd (the first along the axis of Sava Bridge –Old Fairgrounds – SIV building – Novi Beograd municipality building – the “Fontana”, and the other along the axis ofSIV building – Central Railroad Station) were chosen as dominant urban axes of clear and unique identity. They were examined from different point of view: historical, political social, cultural etc. What was considered is the meaning and identity of public and private edifices and spaces along their sides, through tracking of various ideas and methods of realisation, proposed interventions and exercised transformations, an analysis of proposed forms and contents inside Master Plan and regulative plans. The goal of presentation of this significant urbane and architectural heritage is to give an impetus to the overall public to think about it as a unique and specific value, a basic building and cultural heritage, the foundational root of identity and authenticity of the city, as well as of the necessity of their preservation and introduction into the present and future plans of Belgrade’s transformation.

 
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